e-book Joe Strummer and The Mescaleros: Vision of a Homeland

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  • Third time charmed: what adopting an orphan taught me about love, loss and luck.
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And I hear Yalla, yalla, yalla, ya-lah Yalla, yalla, ya-li-oo, whoa Yalla, yalla, yalla, ya-lah Jumbalaya on the Bayou. Yalla, yalla, yalla, ya-lah Yalla, yalla, ya-li-oo, whoa Yalla, yalla, yalla, ya-lah There's jumbalaya on the Bayou tonight in the grove. Well, so long liberty Just let's forget you never showed Not in my time But in our sons' and daughters' time When you get the feeling Call and you got a room Meantime, we're cutting our hands on the ke-bab shop In the streets of fear Forgetting all those best tae-kwon-do moves On a barrel of beer Trying to get a signal through from Ragga F.

Groovin', lets cut out of the scene, go groovin' Groovin', lets cut out of the scene, go groovin' Drive, drive Distance no object, rasta for I.

Joe Strummer & The Mescaleros - Rock Art And The X-Ray Style - 1999

Somebody got a vision of a homeland From a township, from a township window Through a township window Some crazy widow dares to have a vision Starts seething, like Seeming like a homeland on the plain Not in focus yet Seeming like a homeland on the plain Not a focus yet. And I say Yalla, yalla, yalla, ya-lah Yalla, yalla, ya-li-oo, whoa Yalla, yalla, yalla, ya-lah Jumbalaya on the Bayou.

As the title suggests, you get memories and experiences of The Only Band That Matters, through those who encountered them, from fans, to former support bands' members, journalists, and everything in between. So, I decided to put them into an ebook for the whole world to read. Like the band and its music, the emotions represented here truly run the gamut.

Anthony Davie

You feel the sting of Brook Duer's disappointment, supporting his heroes during the Combat Rock era "Terry Chimes was the only one who spoke to us. He was totally separate from the rest". You admire the enterprise from fans like Johnny Hauesler of Germany, who blags his band onto a bill in Dusseldorf in , with one phone call to consigliere Kosmo Vinyl "I would hardly call you in Stockholm and ask you to let us support the Clash if we were a fucking heavy metal band with fucking Flying V guitars".

Same for Frank Moriarity, author of Modern Listener Guide: Jimi Hendrix , who overcomes his doubts about taking up the guitar after talking with Mick Jones, who suggests: "Why don't you, then? I'm no better than you are.

Joe Strummer Live Glastonbury 1999 Stereo HD

I could go on forever, but as these brief examples suggest, This Is Joe Public brims with the best sort of history -- not the same anecdotes recycled over and over again by the same talking heads who have trouble hearing the sounds of their own voices over the same stream of questions. More photos would have been nice, but that's down to money, and the ones that we do get definitely do the job. Get your hands on a copy of Joe Public , and hopefully, we'll see more efforts like it.


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From start to finish, it's a first-rate effort. As one of the '77 era's top lyricists, Strummer often got tagged as a punk poet or troubadour of some sort or other, a characterization that he slyly encouraged, or did his best to play down, depending on his mood of the moment.


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So it makes sense, then, that the Joe Strummer Foundation would take this route, through just 37 pages. Other big names checking in here include ranting poet Attila The Stockbroker "Commandante Joe": "You wrote a soundtrack for my life" , Johnny Green who gets two brief excerpts from his memoir, A Riot Of Our Own, which is really prose, but hey, who's keeping track, right? That slice of life nitty gritty makes Black's effort one of the best here, along with "Planning A Comeback," by David A.

Ross, who recalls an older, but wiser Joe "A ballroom crescendo. Their unlikely bonding,which follows a jab in his face from the singer's elbow, is punk rock in itself "Consequently, he spent more time with me than I suspect would otherwise have been the case" , like this miniature collection. Which brings me to my final point: if there's one quality running through all these efforts, it's the activism. As Mark has often mentioned to me, at various times throughout the process, it's really about the activism, one that may well be driven by guitar and drums